After Drake battle, Kendrick Lamar turns victory lap concert into LA unity celebration

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club on Sunday, April 16, 2017, in Indio, Calif. Kendrick Lamar turned his Juneteenth 鈥淧op Out鈥 concert into a celebration of Los Angeles unity. The 37-year-old rapper curated a three-hour livestreamed concert featuring a mix of up-and-coming LA rappers and stars including Dr. Dre and Tyler, The Creator. (Photo by Amy Harris/Invision/AP, File)

INGLEWOOD, Calif. (AP) 鈥 Not content with merely taking a victory lap after winning his battle against fellow rap superstar Drake, Kendrick Lamar turned his Juneteenth 鈥淧op Out鈥 concert at the Forum into a cathartic livestreamed celebration of Los Angeles unity.

Lamar curated a three-hour concert featuring a mix of up-and-coming LA rappers and stars including Tyler, The Creator, Steve Lacy and YG. When it was his turn to take the stage, the 37-year-old rapper powered through a set with Black Hippy collaborators Schoolboy Q, Ab-Soul and Jay Rock, performed his Drake diss songs 鈥淓uphoria鈥 and 鈥6:16 in LA,鈥 then was joined on-stage by Dr. Dre.

The two West Coast titans performed 鈥淪till D.R.E.鈥 and 鈥淐alifornia Love鈥 and Dre called Lamar 鈥渙ne of the greatest that ever did it鈥 before quieting the roaring crowd by requesting a moment of silence. It was a misdirect. that opens Lamar鈥檚 : 鈥淚 see dead people.鈥

A crowd of 17,000 that included The Weeknd, LeBron James, Ayo Edebiri and Rick Ross rapped along to every word of the biting-but-jubilant DJ Mustard production, which Lamar restarted twice after the first verse and performed four times in full.

Shuffling, frolicking, dancing and spinning around him as Lamar strode the stage in a red hoodie: NBA stars Russell Westbrook and DeMar DeRozan, Mustard, rapper Roddy Ricch and even a teenage dance troupe led by the krumping innovator Tommy the Clown.

Lamar reveled in the moment: 鈥淵'all ain鈥檛 gon' let nobody disrespect the West Coast. Y'all ain鈥檛 gon鈥 let nobody imitate our legends, huh,鈥 he said, referring to Drake鈥檚 use of an AI tool to mimic 2Pac鈥檚 voice on one of his diss records. He also added a line to 鈥淓uphoria" referencing Drake's purchase of 2Pac's jewelry: 鈥淕ive me 2Pac ring back and I might give you a little respect.鈥

But the Compton native had more on his mind, calling out to specific men and women to join him on-stage for a group photo.

鈥淟et the world see this,鈥 he said. 鈥淵ou ain鈥檛 seen this many sections on one stage keeping it together and having peace. ... For all of us to be on this stage together, unity, from East side ... LA, Crips, Bloods, Piru 鈥 this ... is special, man. We put this ... together just for ya鈥檒l.

鈥淭his ... ain鈥檛 got nothing to do with no song at this point, ain鈥檛 got nothing to do with no back and forth records, it鈥檚 got everything to do with this moment right here. That鈥檚 what this ... was about, to bring all of us together.鈥

After the final song, Lamar exited, saying 鈥淚 promise you this won't be the last of us.鈥 The stabbing horns of the 鈥淣ot Like Us鈥 instrumental kicked in once again and the crowd rapped the lyrics without Lamar as they filed through hallways out to the parking lot. The Twitch and Prime Video livestream concluded.

The feud that that energized hip-hop fans over the last few months had long been a sort of cold war, with coded, subtle and deniable insults woven into some of the two rappers' biggest hits over the past decade, from 鈥淓nergy鈥 to 鈥淎ll The Stars," 鈥淕yalchester鈥 to 鈥淗UMBLE.鈥 It began after Lamar's attention-grabbing verse on Big Sean's 2013 鈥淐ontrol,鈥 in which he laid out his ambition to beat out Drake and other top rappers. The Canadian actor-turned-rapper, who as the bigger star had hand-picked Lamar to join his second headlining tour a year earlier, felt personally insulted.

The two then took widely divergent paths as their careers flourished on parallel paths. Drake shares images of his wealth and jokey memes online, collaborates regularly with up-and-coming artists and integrates bubbling musical trends in hip-hop and the broader pop world to pump out club-ready singles at a consistent pace. Lamar often disappears from the public eye for years at a time to build deeply introspective concept albums featuring few voices other than his own 鈥 while maintaining a minimal social media presence.

Drake's taste-making ability mostly kept him on top of the rap world, with an approach that matched the direction of pop music as a whole. But as his hit-making consistency diminished, an opening emerged. Lamar, Future and Metro Boomin kicked off their direct assault on Toronto's king in March with 鈥淟ike That.鈥

Lamar made his disdain clear: He sees Drake as a talented outsider who enjoys and profits from hip-hop culture but didn't grow up in it, code-switching his way into the mainstream without a core identity or authenticity. His nail-in-the-coffin final verse on 鈥淣ot Like Us鈥 sums up his view: 鈥淵ou run to Atlanta when you need a few dollars / No, you not a colleague, you a ... colonizer.鈥

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